March 1998 Magazine Contents

Akai build on their years of expertise in stand-alone digital recorders with a truly portable personal multitracker offering a digital mixer and 12 tracks of audio on a removable-media drive. David Mellor takes it away.

Hard disk recording always strtches any computer to the limit, and if you want eight simultaneous tracks or more you'll definitely need help. Martin Walker finds out whether the V8 system can come to the rescue.

Paul White dons his reading glasses and sets out to test a miniature mic with a big sound.

Paul White examines one of Drawmer's MX budget range of units to see whether corners have been cut, and discovers that some corners have actually been added!

Paul White Studio tests EV's new capacitor model, designed for use both on stage and in the studio.

Paul White takes two migraine tablets and has a nice sit down before tackling the 'eye-catching' Resinator filter unit...

The Vac Rac modular valve processor is built like a tank and has the colour-scheme of a battleship — but what can it do for your sound? Hugh Robjohns investigates the marriage of over-the-top engineering and traditional tube technology.

Active monitors are all the rage in the project studio market at the moment. Hugh Robjohns checks out a weighty contender from American loudspeaker giant JBL.

Martin Russ looks at Korg's affordable new synth and finds it takes him back a few years...

The S3 was Korg's 1991 attempt to apply the M1 workstation approach to rhythm and sequencing, but it never attained anything like the success of its more famous keyboard sibling. Paul Nagle explains why.

Have KRK managed to preserve their family sound at this new low price point? Paul White gets ready to Rok...

Despite the huge technological advances over the last two decades, it's surprising how many SOS gear lists have...

Many musicians now have digital audio in their studios, so Midiman have decided to help them interface cleanly to the outside world, with the bizarrely named Flying Cow. Martin Walker thinks it cud be a winner...

Nearly two years after everybody else jumped on the Power Mac bandwagon, Mark Of The Unicorn have finally come on board with their flagship sequencer, which will now record and play back audio without the need for external hardware. Has it been worth the wait? Derek Johnson finds out.

Prosoniq, the German software company behind many of the DSP processing alogrithms used in MIDI + Audio sequencers, have now made the powerful fruits of their expertise available in stand-alone form. But can the software actually be put to good use? Paul D. Lehrman investigates.

While Roland's A70 in its basic form is a well-equipped but dumb controller, it can metamorphose into a Roland JV-style synth, a General MIDI synth, or a piano at the drop of an expansion board. Paul Ward has a controlling interest....

Paul White finds he has a crush on the Smart Research C2 compressor — but at what cost?

Spectral Audio's internet homepage includes a large graphic, stating, rather menacingly, 'Rave or Die'. Christopher Holder meets the new Syntrack monosynth and decides death can wait.

With a feature list longer than most people's arms, the EWS64 XL has whetted plenty of appetites. Martin Walker dismantles his PC once again in the search for the ultmate soundcard.

Few keyboard instruments are as fascinating and awe‑inspiring as the Hammond B3. The combination of ingenious electro...

With their latest super-mini effects processor, Italian manufacturer Viscount goes head to head with the Alesis Nanoverb on looks and the Zoom 1201 on price. Tom Flint grabs a pizza the action...

Paul White returns from the land of the rising Sterling with tidings of a whole new range of Yamaha hi-tech and pro audio products.

Paul White follows up a few leads and discovers they all end at the patchbay.

The debate's been going on for as long as drum machines have been around: can they really sound human? Nicholas Rowland takes jazz drumming as his test case and tries to find out.

This month, Big George persuades more famous musicians and arrangers to give you the benefit of their hard-won wisdom.

There are now several PC MIDI + Audio sequencers available that provide real-time EQ and effects via plug-in software — but it can be difficult to assess just what works with what, and whether your PC is powerful enough to run the plug-ins you'd like to use. Martin Walker investigates.

No matter how thick and heavy the walls of a studio, it will still leak sound if the doors and windows are not up to scratch. Paul White explains how you can uprate them without breaking the bank.

With so much high-end analogue processing gear using valves these days, it's easy to assume that they invariably equate to a better sound — but that's not always the case. Paul White explains.

If you want to move the heady heights of true multitrack recording on your PC, there are plenty of rival systems on the market. Martin Walker looks at what you need to consider in making your purchase decision, and rounds up the alternatives.

The latest digital recording systems offer smart facilities in spades, but if you're a newcomer to recording technology it can be hard to find out what's really best for your often simple requirements. Dave Gale wonders who you gonna call...

Debbie Wiseman has been described as Britain's most prolific and emotionally charged film composer, with a long list of TV and cinema credits that belies her age, including the recent Oscar Wilde biopic.

With 200 gold and platinum discs to his name, techno-pop pioneer Giorgio Moroder can afford to sit back and take stock of his amazingly successful career. Richard Buskin talks to him about it, from early days working with disco diva Donna Summer, to the present.

This month sees the release of the new album from Karl Bartos, former member of electronic trailblazers Kraftwerk. But the synth sound is no more — Bartos' new record is closer to Beatle-esque Britpop.