Akai's MPC sampling workstations have been a studio fixture for nearly 15 years, and the MPC4000 is the most powerful one yet. But the world of sampling has changed dramatically since the MPC2000XL was released. Can an MPC still cut it in the 21st century?
Although it features a familiar analogue-style control interface, the CLX440 has a digital interior that allows it to offer advantages such as a 'Look Ahead' facility more commonly found in plug-in processors.
At a price point of around £300, there are already very good contenders for your money on the quality condenser mic market. Does the 4040 SM have what it takes to become a front-runner?
Users of Propellerhead's Recycle could be forgiven for thinking that sample slicing couldn't get much easier, but Bitshift Audio's pHATmatik Pro aims to prove them wrong by offering an unprecedented level of integration with MIDI + Audio sequencers.
The Phantom is the first valveless mic from a company known for their top-quality valve designs. Will their solid-state debut make as good a name for itself?
**** 4/5 Stars. A copyright-free collection of conventional, innovative and sometimes downright unusual Hammond licks, fills, riffs, grooves, progressions, slides, growls and funky bass lines all designed to spice up any track.
Dynaudio Acoustics use cutting-edge digital signal processing, developed with TC Electronic, to increase the fidelity of their existing driver technology.
**** 4/5 Stars. This is an experienced, technically accomplished drummer playing some good, controlled multi-purpose rock and pop grooves with a strong, but not unduly aggressive delivery.
**** 4/5 Stars. This collection of sample loops is dominated by keyboard phrases, and loops aimed at producers of dance, hip-hop, R&B, pop, funk and electronica.
It's a sequenceable filter, it's an amp modeller, and it's a drum machine... it's the AdrenaLinn, the new guitar processor from famed designer Roger Linn, best known for his classic drum machines and sequencing workstations.
The VK8 is Roland's latest addition to their long-established VK series of tonewheel organ emulations. But due to the current popularity of the tonewheel sound, there are now plenty of other Hammond imitators around. Can the new VK stand its ground?
What if you could access the sound and controllability of a range of the best-known classic analogue compressors and EQs, from a single rackmount box, in the digital domain? Two advanced processors from Sintefex aim to offer just this ability.
This hybrid physical modelling, valve and solid-state design, presented in a classic AC30-style format, aims to offer the best of all possible worlds. How far does it succeed?
*** 3/5 Stars. Recorded in the Townhouse's stone room, Scottish session drummer Geoff Dugmore bashes his way through some classic rock beats with many variations, intros and fills...
Most SOS readers seem either to be setting up a studio or refining their existing setup, and could save money and hassle by doing much of the wiring and installation themselves. We explain how.
Another reader's studio gets the benefit of expert SOS staff attention. This month, it's the turn of Tim Way, whose mixes sound fine in his own studio, but don't travel well.
Having learned last month how to synthesize tuned bells, we turn this time, in the last of this series on the subject of percussion, to untuned bells — in the form of the humble cowbell — and claves.
Theoretical figures and manufacturers' measurements may suggest that the latency of your soft synths is negligible — but that's no use if their timing is all over the place when you actually play them. Our real-world results give you the true picture.
Not content with reviving and staging a 1920s avant-garde work for the first time, Paul D. Lehrman also worked out a way to reunite the piece with its contemporary film, which was never used due to technical problems. This is how...
As Intel and AMD continue to push the clock speeds and architectures of PC processors, music software developers are taking advantage of the optimisations possible, as demonstrated by Waves with the latest update to their native plug-ins.
How can I use my external effects units with my Akai DPS16 hard disk recorder? How can I convert my mono recordings into stereo? Are there any cheap multi-band compression plug-ins? How can I reverse the effects of performing Windows XP tweaks?
Mali Music is one of the most ambitious collaborations yet between European and African musicians. The brainchild of Blur frontman Damon Albarn, it also represented the first big break for producer Simon Burwell.
Some engineers earn a reputation for classic recording techniques and live bands, while others help to create the cutting-edge sounds of modern rap and R&B. From Foreigner and the Rolling Stones to Timbaland and Missy Elliot, Jimmy Douglass has done both.
A number of hi-tech music manufacturers are celebrating important anniversaries this year and next year. In the first of several articles on these companies, we look at the milestone products made by Emu, who drove the sampling revolution in the '80s.
The Inside Story Of The Deal That Changed The Music World
The music technology world changed overnight on June 30th, as Apple announced their acquisition of German sequencer heavyweight Emagic, becoming the first computer manufacturer to own a music software company. Our team brings you the latest news on how and why the deal went through, and what the changes may mean for Emagic and their PC and Mac users.
With record industry cutbacks all round, the prospect of success with a major record label seems more remote than ever for most musicians. So why not start your own? Many of us think about it, but what would you actually need to do? Our new 7-part series tells you...