As we all acquire more and more digital audio equipment, clock distribution becomes more of a key issue. This new distribution amplifier not only delivers multiple word-clock outputs, but also offers real-time monitoring of the accuracy of the source clock signal.
Focusrite's first computer recording interface looks to cover all the bases with plentiful I/O, DSP effects and flexible monitoring arrangements (including surround).
The Trigger Finger is clearly intended for those of us who prefer hitting to clicking when it comes to percussion, but, as we discover, there's much more to it than that...
Every major sequencer manufacturer now sells software synths for use with their recording applications, but MOTU's MX4 had not been out long before an updated version was announced. We find out whether v2 was worth the wait...
Native's sound design software is back, and with v5, you have more control over your instruments than ever — offering fully user-definable looks, the ability to construct your own modules from scratch, and an improved library. We get patching...
Part 1: The V-Synth repackaged Roland's groundbreaking Variphrase technology, creating a powerful new kind of sample-based synthesis. Now there's a rackmount V-Synth, and (as you'll discover in Part 1 of our two-part review) it's more powerful than the first...
Waves are the latest software company to launch their own hardware DSP accelerators. The APA 32 and 44-M can be linked over Ethernet to form massively powerful plug-in farms.
Producer: Chris Thomas • Engineer: Steve Churchyard
In 1982, the Pretenders responded to desperate circumstances with some of the strongest material they would ever produce. Engineer Steve Churchyard was there to record it.
We investigate a newcomer to the orchestral sample-player scene and provide a quick round-up of the 'powered processing' options available to DP users.
You'd be surprised at the things you can do without opening a menu in Pro Tools. And if there's no shortcut for the command you need, why not create your own?
Knowing how to squeeze the very best performance and efficiency out of your DP setup can let you work more quickly and increase your creative options, whether you own a G3 iMac or the latest G5. For all you need, read on...
The PCI Express peripheral standard is generally good news for musicians, but some audio problems related to this faster interface and certain motherboard chip sets are emerging. We examine the issues.
As the Mac community looks to Pentium M-based Powerbooks to deliver high-performance, low-power mobile solutions, what if you can't wait until next year and need to purchase a Powerbook right now?
If you're looking to release a record that you have produced at home, it's a good idea to have the product professionally mastered, but it is not always obvious if a mix is adequately finished. We find out how to prepare your songs for the mastering house, and what the engineer can do for you.
We report on a new release of Reason that fixes some bugs but also ups the system requirements for running the software, and examine the problem of achieving 'exclusive' drum assignments in the NNXT super sample-player.
As we saw last month, sampling is really just a form of digital recording, but to use short recordings to emulate real instruments, you soon need to understand new concepts like multisampling, looping, and velocity switching. We explain all...
Whether you're running a single PC in your bedroom or a bank of them in a professional studio, sometimes a tiny freeware or shareware utility can make the difference between frustration and elation. We round up some of the best and point you to places where you can find more.
Although there are many third-party equaliser plug-ins available, the EQ built into Cubase SX and SL is both functional and convenient, and has the unique advantage of being closely integrated with the Mixer, Inspector and Channel Settings windows.
I've just bought my first mic, a Rode NT1A, which requires phantom power, and I'm wondering if there's anything wrong with leaving it plugged in with phantom power switched on for long periods of time?
Is the German GEMA essentially the same as the MCPS? Does a band putting out its own CDs need to register with different people in different countries, or do these organisations cover all situations?
For over a decade, Nainita Desai has earned her living designing sounds and composing for film and television. She speaks about her experiences in the industry, and explains what opportunities there are for newcomers who want to get their foot in the door.
Steve Albini has become a legend in the world of alternative music by championing traditional engineering skills, respecting the opinions of the artists he records, and doing business ethically.
We've seen some curious studios in SOS over the years, but not many have included a warehouse full of vintage hardware, Pro Tools HD rigs, and thermostatic ovens. But it's all part of the daily routine at FX Copyroom...
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