February 2018 Magazine Contents

We check out this high-fidelity two-channel stereo audio recorder and playback module that can record high-quality (stereo) WAV files whilst simultaneously playing two different (stereo) files.

With Live 10, Ableton’s aim is to make the music‑making process as smooth as possible. Have they succeeded?

ART’s MX622 is a 1U rackmount mixer equipped with three balanced XLR microphone/line-level inputs, plus three stereo line inputs on RCA phono sockets.

The KeyLab Essential condenses Arturia’s core controller capabilities into one cut-down package.

The hugely successful MiniBrute has evolved into what Arturia describe as a synthesis ‘ecosystem’, but the MiniBrute 2 and 2S aren’t just updates — they’re completely new instruments.

Like its desktop namesake, with which it shares the full feature set, the QuatroMod app offers four ‘modes’ of modulation processing: Flanger, Chorus, Diffusor and Freqshift...

BAE’s first guitar pedal was borne of a fruitless search for two classic 1960s stompboxes.

Both volumes in the bundle provide a selection of multi-sampled, multi-articulation, virtual brass instruments that are playable in exactly the same way as a conventional orchestral sample library is but are much more suited to soul, funk and pop.

This suite of six MIDI sequencer tools run as AU-only plug-ins within a suitable AU-host. Rozeta also makes use of one of the new features Apple has snuck rather quietly into the iOS 11 update: the ability for AU plug-ins to send MIDI Out data.

The D4 is a single-channel mic preamp based on a design created by EMI’s in-house Recording Engineering Development Department, as part of the development of the REDD.51 tube console.

The MÖG Wavefolder doesn’t just modify waveform shape, it squishes, shifts, boosts and distorts — and is equally happy doing the same to control signals.

Hot Wax is a dual overdrive pedal that draws upon and combines two existing EHX pedal designs, the Crayon and the Hot Tubes.

Portable column-style sound systems have been around for many years, but US veterans Electro-Voice may have just perfected the art.

This module follows the structure and feature sets of the other Dronar modules. Each Cinematic Atmospheres preset is therefore based upon blending up to four underlying sound elements...

HH’s affordable Tessen range has been upgraded, and now represents even better value for money.

If you’re looking for a monitor that goes loud and low, and has excellent high-frequency performance, JBL’s new range might just fit the bill.

This high-end valve mic sounds every bit as classy as it looks, and a unique voicing switch adds to its versatility.

The Kross 2 enjoys the twin benefits of Korg’s workstation pedigree and an attractive price tag.

This neat gadget opens up a host of possibilities for electric and acoustic guitar.

Helix systems are converting many guitarists to amp modelling, and the newest of them brings Line 6’s latest algorithms to your DAW.

Caspian: Thematic Orchestral Brass comprises three .NKI patches: Six French Horns, Three Bass Trombones and Three Trumpets, performed by the Czechoslovakia-based Capellen Orchestra.

Thirty years after the launch of the groundbreaking D-50, Roland’s Boutique version offers the same iconic sound.

Expeditions uses the powerful (and very deep) Kontakt-based front-end that provides loop playback, manipulation, a range of creative effects with sequencing options, and is designed to inspire hi-tech music tracks/cues.

Sonarworks’ headphone and monitor correction software has spread its wings outside the DAW, and now encompasses more headphone models than ever.

Twenty-five years after the release of the iconic C800G, Sony are back with a brand-new studio microphone — with a unique ultrasonic twist...

Hand made in Nashville, these mics use old-school materials and manufacturing techniques to deliver that classic ribbon sound.

The Towner system fits many guitars that have a separate bridge and stop tailpiece. It mainly works with Bigsby B3 and Bigsby B6 vibrato units, enabling them to be secured using a single two-inch strap-button screw.

Grammy-winning producer Ian Brennan discusses his approach to working with unique artists in outdoor locations around the world.

We examine three different ways to harness the power of granular synthesis in Live.

When a track contains nothing but beats and vocals, the vocal mix has to be perfect. Mix engineer Evan LaRay explains his role in taking Cardi B’s ‘Bodak Yellow’ to number one.

We take a closer look at the automation features in Logic Pro X.

We continue our trek through the production of Damnation’s Hammer’s latest album: did all that pre-production effort pay dividends in the studio?

Pro Tools isn’t just for recording and mixing. It’s also pretty handy for mastering work.

A list of all articles that hold associated media files for February 2018 audio and video examples. You'll find links in...

Propellerhead’s uber-modulator Synchronous is now included for free with Reason 10.

Get your Studio One ducking techniques in a row as we explore different ways to improve vocal intelligibility.

This month, Studio SOS takes on a unique challenge: modifying a motorhome for use as a mobile recording studio!

A glorious suite of extras bolsters the core orchestral sound.

We show you how to transfer your projects from Sonar to a new DAW.

Manage effects and processors more efficiently in Cubase’s MixConsole.

We explain how to use Digital Performer’s comping tools to assemble a killer vocal take.

I have a slight level mismatch that I don’t know how best to resolve. I want to patch the Dangerous Music Compressor through the inserts on two of an Allen & Heath GL2400 mixer’s input channels. The problem is that the send signal from the mixer is a tad weak for hitting the compressor where it works best...

Loads of people recommend putting up an SM57 on the snare drum, but it just sounds dull and lifeless when I try to do that. Any tips?

Messing with meter makes for more memorable music.

We discuss another handful of hit records, to help you brush up on your listening skills.

When you’re recording a Morrissey album, you need to be ready for anything...

Around this time of year I often get asked what I expect to see at the Winter NAMM show...

We conclude our in-depth guide to the world of library music with an essential cut-out-and-keep explanation of the key words and phrases you’ll hear.

There are plenty of good reasons to build a studio in the city centre: convenient access, an abundance of dining options on...

If only we could all work together, we could compete against each other more effectively.

Tax breaks offer some hope for our ailing industry.

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Check out the Winners of the SOS Awards here.