These gadgets might not be the most glamorous devices, but at some point in your recording adventures you’ll probably find you need each and every one.
I have an inexpensive ART P16 XLR patchbay that I’d like to reintroduce and I’m wondering whether this will degrade the quality when I’m tracking, mixing and mastering — it would potentially be the weakest link in my signal chain?
I've put together 11 of my personal favourite cost-cutting tips that won't burn a hole in your wallet, covering everything from monitoring and recording improvements to making your instruments play that bit better.
I have a Roland RC‑30 looper pedal, but I want to be able to use a single microphone, set up so that I can use a foot pedal to switch the mic from the PA to the looper...
I’ve read so many people saying that a 9V power supply for guitar pedals means they can’t give you enough headroom, and the same for the 500-series 32V (±16V) supply. But surely there’s a way designers can ‘step up’ the voltage inside a device?
I have a friend who has a problem. He uses two different amps on stage, one a Marshall and the other a Hughes & Kettner, with a 2x12 and 4x12 cab, respectively. Is there any way he can just use one cab for both amps?
Even if youre tightening your belt, you can still upgrade and improve your studio and methods — you just need to be a bit more crafty about how you spend your cash...
I understand how to record and mix music for surround, but how do I burn an audio-only disc to share my surround mixes with others on their domestic systems?
Stage gear takes a lot more punishment than studio equipment, so investing a few quid in suitable protection for it has to be worth considering. But what do you need to know before buying?
I've been coming home from gigs recently with my ears ringing and I'm worried about damaging my hearing. What kind of (preferably unobtrusive) ear protection should I be looking at?