SOUND ON SOUND
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In music-for-picture work, there's never enough time to do what you'd ideally like to. We look at what it's like producing music under pressure.
High-profile synth programmer, remixer and recording artist Pete Gleadall is a man of many talents. Matt Bell talks to him about his part in the new Pet Shop Boys album, his work for George Michael, and the role of the modern programmer.
Commercial physical modelling synths first appeared in 1994, but until now, nobody has produced one that offers truly multitimbral operation together with decent polyphonic performance. Korg's new Z1 does — and for well under £2,000. In this, the first UK review of the finished instrument, Goron Reid laughs wildly and plays lots fo chords — because he can.
The success of Apple's iTunes Music Store has revitalised online music sales, and not just for the major record labels. Plenty of home-based musicians are now selling music digitally, and making real money. Find out how...
Times change. When announced in 2001, the Chameleon, a reprogrammable DSP unit, looked out of date compared with the software studio concept. But with piracy rife, and software companies being bought out everywhere, the idea of reprogrammable, unhackable hardware now seems quite timely...
For the newcomer, mixing a multitrack recording can seem overwhelmingly complicated. The key is never to lose sight of the basic principles...