Classic Tracks

Recorded completely at home, Jyoti Mishra’s irresistibly catchy hit single ‘Your Woman’ inspired a generation of bedroom producers.

Richie Hawtin takes us through a seminal Plastikman album — and its unexpected sequel.

The result of an extraordinary collaboration between Arthur Baker and London band Freeez, ‘IOU’ was a pioneering hit of the electro genre.

The three albums Mike Thorne produced for Wire showed that there was much, much more to punk than met the eye.

Japan keyboard player Richard Barbieri tells the story of their most haunting hit.

‘Walk Like An Egyptian’ was a huge hit for the Bangles, but it all started with a demo mix‑up and some very unusual percussion.

Darude’s 1999 dance hit has taken on an extensive and often surprising life of its own.

The title track of Steely Dan's Aja is legendary for many reasons, including the spectacular work of Steve Gadd. Who, it turns out, almost didn't make the cut in the album's planned 'rotating list of drummers'...

Much vaunted as a fusion of indie and dance music, Happy Mondays' joyous version of 'Step On' is greater than the sum of its parts.

When producer Sam Williams discovered Supergrass, he knew he had to capture the band's infectious energy on tape.

Led Zeppelin's 'Kashmir' became a band-defining track, but it started life in an Airstream trailer known as the Ronnie Lane Mobile Studio.

After a record label bidding war the success of the Cranberries' first single was vital. Fans of the Smiths, they called in producer Stephen Street...

Cypress Hill’s crossover classic launched the group into the mainstream — and without sampling a single horse...

Begun as an experiment, ‘Sweet Dreams’ launched Eurythmics to international stardom and is still filling dancefloors to this day.

It may be famous for its difficult birth, but Loveless was a technical triumph. My Bloody Valentine’s Kevin Shields tells us the story behind their breathtakingly original album.

Coldcut’s version of Eric B & Rakim’s ‘Paid In Full’ launched their career and reinvented the concept of the remix at the same time.

DJ Shadow’s Endtroducing wasn’t just a staggering technical achievement. It also reimagined a whole musical genre.

With the Screamadelica album Primal Scream didn’t just reinvent themselves as a band, they reinvented what it meant to be a band.

Neneh Cherry’s breakthrough 1988 single melded hip-hop and cut-and-paste sampling into a perfect pop record.

Armed with nothing but an Atari, a pair of S950 samplers and his faithful TB303, Fatboy Slim took the charts of the late 1990s by storm.

In 1985 John Lydon found himself in a New York studio with producer Bill Laswell and a group of session musicians. The result was to become one of PiL’s most recognisable tracks.