Classic Tracks

Dr Alex Paterson tells us how the Orb’s cavalier sampling and devil‑may‑care attitude towards copyright took ambient house from the chill‑out room to the top of the charts.

As the ’60s came to a close, Marvin Gaye was forced to ask some serious questions about the world as he found it; the result was the sublimely soulful piece of social commentary, ‘What’s Going On’.

Jerry Lee Lewis’s raucous piano playing is the stuff of rock & roll legend, but his discovery and signing to Sun Records was the result of a series of lucky chances. Engineer Jack Clement tells us the story...

...And Justice For All marked a turning point for Metallica — one that would launch the cult band into the mainstream. The man at the controls, Flemming Rasmussen, tells us how it happened.

'Teenage Kicks' was the punk-pop gem that, with a little help from John Peel, kick-started the Undertones' career.

'Take On Me' was a huge hit, but its birth was a difficult one, taking three years, three versions and a pioneering video to finally give A-ha their first chart success.

'Do you have the time to listen to me whine?' asked Green Day in the opening lines of their song 'Basket Case'. For 16 million people, the answer was apparently 'yes'...

A song named for Christmas-cancelling regicide Oliver Cromwell may seem like an unlikely hit, but the infectious ebullience of 'Oliver's Army' provided Elvis Costello with his biggest-selling single...

Protests against Catholicism have taken many forms, Martin Luther nailing his objections to the cathedral door, but the Pet Shop Boys chose to make theirs in disco...• Producer: Julian Mendelsohn • Engineers: Julian Mendelsohn, Stephen Hague

As the first issue of SOS hit the shops in October 1985, Talking Heads were already climbing towards their highest UK chart position. The song was 'Road To Nowhere'. Engineer Eric Thorngren tells the story of its recording. • Producer: Talking Heads • Engineer: Eric Thorngren

1977's Hotel California saw The Eagles abandon their country origins in favour of full-blown rock & roll, and made them one of the biggest-selling groups in the world. Producer Bill Szymczyk tells SOS how it happened.

As the '60s drew to a close, David Crosby, Stephen Stills and Graham Nash came together to form a new group, the unique sound of which was perfectly demonstrated by their first recording, 'Suite: Judy Blue Eyes'.

When producer Martin Rushent took the Human Leagues leaden new song and turned it into pop gold, the band hated it — but that didnt stop it from being a number one hit on both sides of the Atlantic...

In 1968, Tommy James made a dramatic stylistic turnaround, swapping bubblegum pop for full-blown psychedelic rock. The result was the superlative single Crimson & Clover.

It took a while for Bob Dylan to hit his stride on his seventh studio album, but once he did there was no stopping him. Producer Bob Johnston recalls the difficult birth of Blonde On Blonde.

In 1956, Miles Davis was at Columbia Studios to record an album with the musicians who subsequently became known as his First Great Quintet. Engineer Frank Laico was at the controls...

Seven top 10 singles isnt bad going for a career, let alone one album, yet thats precisely what Bruce Springsteen achieved with his smash hit 1984 LP, Born In The USA. This is the story of how it was made...

Joan Jett's heartfelt reworking of the Arrows I Love Rock & Roll became an international hit in 1982 and turned her career around. Glen Kolotkin tells us how it happened.

Hank Shocklees 1988 collaboration with Public Enemy brought a new aggression to hip-hop — both sonically and politically...

The fact that they achieved little commercial success didnt stop the New York Dolls from making one of the most influential albums in the history of pop music.

REMs first single wasnt just an embryonic form of the style and sound that would later make them so successful, it was also a gem of the American new wave. But it took a long time coming...