SOUND ON SOUND
Does Lindell’s LiN2A sound as classy as the famous compressor that inspired it?
We try one of the keenest‑priced 1073 clones currently available.
Music production has changed a good deal since Harrison’s most famous in‑line console enjoyed its heyday — so they decided to bring it up to date.
LANDR’s automated mastering service just got better... and it no longer requires a connection to the cloud.
This great‑sounding processor does more than make your music loud — but does it do enough?
If you’re a fan of Ted Fletcher’s classic optical compressor designs, this one should not disappoint.
Mic preamps and DIs all sound the same, right? Nope!
Ever wished you could control the level of room sound that’s baked into a dialogue or vocal recording?
Any Reaper track can have up to 64 channels, and even in stereo mix projects that opens up a vast world of routing possibilities.
This clever solution for combining processors is much more than just a plug‑in host...