SOS presents this series of informative articles speaking to professionals working in the industry about their implementation of immersive audio and the recording and mixing considerations when working with the Dolby Atmos format.
Mixing Atmos: David Kosten
David Kosten’s first commercial Atmos project was an immersive mix of one of the greatest albums of all time. No pressure...
Mixing Atmos: Ricardo Bacelar
The ultimate one‑man band, Brazilian artist Ricardo Bacelar uses layers of drums, percussion, guitars and keyboards to build up dense immersive mixes.
Mixing Atmos: Bob Clearmountain
Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!
Mixing Atmos: Morten Lindberg
For Norwegian engineer, producer and record label boss Morten Lindberg, immersive audio begins at source.
Mixing Atmos: Caroline Hilton
Working in immersive audio can be intimidating even for experienced professionals. Caroline Hilton’s team at Universal Music provide the help that mix engineers need to make that transition.
Mixing Atmos: Stan Kybert
Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.
Mixing Atmos: Andy Bradfield
Leading mix engineer Andy Bradfield shares some of the lessons he’s learned in getting to grips with Dolby Atmos.
Mixing Atmos: Greg Wells
We talk to the people who are creating real‑world Atmos content, starting with Canadian super‑producer Greg Wells.