SOUND ON SOUND
Neil Rogers, or 'Bugs' to many, has over 20 years of experience performing and engineering in recording studios. He owns and runs Half-ton Studios in Cambridge and has produced recordings for Captain, Steven James Adams, The Travis Waltons, Freeze the Atlantic (ex Reuben and Hundred Reasons), The Broken Family Band and The British Public, to name but a few.
The audio examples available on this page accompany my review of the LANG PEQ-2 equaliser by Heritage Audio. This recreation...
Although less well known today than the Pultec EQP‑1A, the versatility of LANG’s valve‑less PEQ‑2 won it plenty of admirers.
There’s a lot of competition in the 500‑series preamp market, but this one offers something a little different.
The audio examples on this page accompany the review of the Dynamics 2806 Compressor and Expander module by Frap Audio.
With some neat features to control how the compressor and expander interact, there’s more to this module than meets the eye.
Lewitt’s vocal‑oriented Pure Tube promises valve tone without the noise.
This powerful alignment tool is now easier to use and boasts new functions — along with impressive results.
Drum mics can occupy a lot of channels in your DAW, and they can quickly multiply as you experiment with different processing — so it pays to impose some discipline!
BLA have packed their take on the classic ‘blue‑stripe’ 1176 into a 500‑series module.
Many of us dream of setting up a recording studio. But where do you start — and what’s it really like to run one as a commercial business today?