PA / Live Sound

U2’s residency at the Sphere in Las Vegas is revolutionising live music.

A broadcaster’s personal guide to getting a great vocal sound at Eurovision. Or in a pub.

Chris Rabold has gone from selling T-shirts out of a van to mixing Bruno Mars' epic two-year 24K Magic tour.

With spill between instruments and bleed from backline and monitors, live‑performance recordings present unique mixing...

With spill between instruments and bleed from backline and monitors, live-performance recordings present unique mixing challenges. At London's PLASA show, Miloco Studios' engineer Jamie McEvoy explained how to get a great result.

Dolby Laboratories have been leading the development of surround-sound systems for four decades, but over the last year or so they have been piloting an intriguing surround system in a famous UK night-club...

It’s now the norm for musicians to provide their own sound reinforcement for small gigs — but what kind of system would suit you best?

Whether you’re a performer or an engineer, these simple feedback-reducing tips should ensure your gigs remain free from squeaks and howl-rounds!

Guitar preamps that use digital modelling technology have found their way into vast numbers of studios. But do they have a useful place on stage, and what do you need to know if you want to use one live?

If you've been to a large gig or a festival in recent years, you've no doubt had the pleasure of hearing line arrays of loudspeakers in action. But why are line arrays the current 'best practice' in large-scale PA, how did they evolve, and will they ever filter down to more modest gig venues?

For years bands have needed unwieldy, expensive PA systems to play live, and separate monitoring systems to hear themselves play. Bose's new system aims to do away with much of this complexity and expense. We take a first look...

Having looked in Part 1 at how to condense your studio setup for use as a live rig, David Harman concludes this short series with tips on how to prepare yourself and your gear for the rigours of live performance.

Being a MIDI-based musician doesn't mean that you can't get out and play live gigs; you just need to plan more carefully than the average pub band. Grizzled live MIDI veteran David Harman explains the pitfalls and outlines some of the preparation you need to take your show on the road.

Last month, Paul D. Lehrman described how he became involved in a project to create a performable edition of George Antheil's prophetic but never performed, Ballet Mechanique, in its original version with 16 synchronised player pianos and a human ensemble. With the process of sequencing the 1240-measure work complete, he was now faced with the task of preparing the first ever live performance of the piece...