SOUND ON SOUND
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Although less well known today than the Pultec EQP‑1A, the versatility of LANG’s valve‑less PEQ‑2 won it plenty of admirers.
Howard Jones burst onto the scene in the early 1980s with a collection of era‑defining synth‑pop hits such as ‘What Is Love’, ‘No One Is To Blame’ and ‘Things Can Only Get Better’. Asked to select a favourite sound, he circles back to the first of these.
Ozone still offers traditional mastering tools — but its AI‑fuelled options open the door to so much more!
The man behind colossal hits for Harry Styles, Miley Cyrus and Florence + the Machine takes a surprisingly old‑school approach to writing and production.
Korg’s Wavestate and OpSix are back, and they’re bigger than ever...
Krotos Studio makes custom sound design accessible to almost anyone.
If we’re not going to embrace new technologies, if we’re not willing to learn and exploit new tools, what are studios going to be for?
Does Lindell’s LiN2A sound as classy as the famous compressor that inspired it?
The best plug‑ins make under‑the‑hood sophistication simple in practice...
With up to four parallel chains available, you’re free to design pretty much any amp and effects chain imaginable.
It’s hard to believe that the humble VU meter has been with us for almost 85 years. How does the Crookwood Stereo VU Meter measure up?
Strymon’s reputation for making top‑quality digital effects pedals is second to none, but now they’ve made some of their creations available as DAW plug‑ins.
This all‑in‑one, five‑module channel strip is based on the sonic characters of the processors and plug‑ins Grammy‑winning mixer Andrew Scheps uses in his studio.
The Sealegs is a reliably useful yet fabulously creative workhorse multi-mode delay module and a more‑than‑worthy sibling for the Rainmaker.
The Endless Processor from Kyiv‑based Blukac does one thing. It takes a sound and sustains it to infinity.
The Xer Mixa mixer is something of a step out for Noise Engineering, but also takes the LA‑based company back to their roots.
The Eris series of monitors continues to offer remarkable value for money.
Perpetual licence or subscription plan? Find out which is best for your needs.
Standard low‑frequency acoustic treatment needs a lot of space, but PSI’s active traps fit anywhere.
I want to record some vinyl into my DAW, could a turntable simply be plugged into any audio interface and the EQ applied after amplification?