Grammy-winning Samuel Dixon picks his favourite sound from the records he’s made, focusing on Australian singer‑songwriter Meg Washington’s track ‘Switches’.
Granular synthesis is the core technology behind the latest time-stretching and pitch-shifting algorithms, but it can also be used to generate extraordinary evolving soundscapes. We explain how the process works and show you how to get the best from the software that uses it.
Although the Ion is already well-respected for its sound quality, its synthesis architecture is also surprisingly flexible. We show you how to get the best from this little beast in your studio.
Although the Access Virus features one of the most knobby control surfaces amongst virtual analogue synths, there's a lot of programming flexibility available which isn't immediately obvious. We show you how to uncover the hidden possibilities?
In the penultimate instalment of this long-running series, we delve deeper into what can be achieved with just a few delays and some creative routing...
In this final instalment of our series of XG programming tips, we take a look at how the advanced modulation parameters can bring your layered sounds to life.