Read this 10-part series to fully understand every aspect of library music (AKA production music) from getting a foot in the door, to what clients look for, how to generate income and write top-class material that will keep earning.
All About Library Music: Part 1
Production music is rarely glamorous, but it can be very lucrative. In the first of a major new series, we explain how to get your foot in the door.
All About Library Music: Part 2
We saw last month that library music can provide composers with a good income. This month, we explain how that income is generated.
All About Library Music: Part 3
Successful library music writers are efficient, productive and reliable as well as musical — all skills you can develop too.
All About Library Music: Part 4
How can you ensure that your library music hits the spot? What better way to find out than to ask the people who buy it!
All About Library Music: Part 5
Success in the library music world is partly about who you know — so get out there and get to know people!
All About Library Music: Part 6
A trailer can make or break a blockbuster movie, and the choice of music can make or break a trailer. Chances are that music will be library music...
All About Library Music: Part 7
There’s a lot of money to be made writing music for movie trailers — so you have to be good. Have you got what it takes?
All About Library Music: Part 8
Like any way to make a living, library music has its pitfalls. We help you look out for some of the biggest!
All About Library Music: Part 9
Composers need publishers. But are they there to help us, or help themselves?
All About Library Music: Part 10
We conclude our in-depth guide to the world of library music with an essential cut-out-and-keep explanation of the key words and phrases you’ll hear.