Mixing / Production

Since breaking through with BTS’s ‘Dynamite’, David Stewart has been making his mark on modern pop music with hit after hit.

Howard Jones burst onto the scene in the early 1980s with a collection of era‑defining synth‑pop hits such as ‘What Is Love’, ‘No One Is To Blame’ and ‘Things Can Only Get Better’. Asked to select a favourite sound, he circles back to the first of these.

The man behind colossal hits for Harry Styles, Miley Cyrus and Florence + the Machine takes a surprisingly old‑school approach to writing and production.

Henrietta Smith‑Rolla, aka Afrodeutsche, bridges musical worlds like few others. The crossing of borders has always been a subject close to home for the British‑Ghanaian‑Russian‑German composer, DJ and producer, whose moniker was chosen after an exploration of her heritage.

We condense nearly 50 years’ worth of producing and engineering experience into 36 indispensable tips!

Kevin Paul talks to Record Producer and Mixer Danton Supple, who gives a fascinating insight into learning his trade at Sarm and Westside Studios during the 1980s and how he approaches the different roles of Recording Engineer, Producer and Mix Engineer.

‘Set Fire To The Rain’ was Adele’s third consecutive US number one, confirming her status as a superstar. In our exclusive...

Today’s pop music has Cirkut’s hands all over it.

Canadian Davey Badiuk is a composer, producer, mixing engineer and remixer, known for his unique ability to modernise organic music.

Ricky Damian is that rarest of things: a young engineer trained in all‑analogue recording. His experience stood him in good stead with Jorja Smith.

Mexican‑Canadian songwriter and producer Andrea Rocha was classically trained and has worked with some of pop’s brightest stars, including Ellie Goulding, Gabrielle Aplin and Becky Hill.

Kevin Paul chats to producer engineer Gareth Jones about his impressive career at Mute Records and Hansa Studios in Berlin, working with bands such as Depeche Mode, Nick Cave & the Bad Seeds, Erasure and Goldfrapp.

Mixing gets so much easier when your processing chains are configured to deliver the same results in response to the same levels!

Record producer/mix engineer Luke Smith details how he got his favourite sound on ‘Spanish Sahara’ from Foals...

David Wrench’s goal as mix engineer was to make Blur sound like themselves!

Film composer and producer Ludwig Göransson has earned a stellar reputation for sonic world‑building.

It was roughly a decade after moving to the UK from West Tokyo in 2004 that Japanese producer and artist Koichi Yamanoha came up with the kaleidoscopic mix of folk, art‑rock and psychedelia he calls Grimm Grimm.

The SOS Awards mission is to honour and celebrate the finest products in our industry. Make your vote count!

PJ Harvey and her fearless collaborators have navigated three decades and six albums without repeating themselves, and her new album is another masterclass in innovative production.

If you want to see the state of the art in studio design, there’s no better place to look than EDM star Afrojack’s Wall Recordings.

Asked to pick a favourite sound to dissect, American mix master Michael Brauer chooses the vocal sound on Elle King’s ‘Ex’s & Oh’s’.